
Most Australian film critics will give BLESSED a four star review for being gritty and powerful. Sadly I can not agree with them. BLESSED (or as I like to call it, DEPRESSED) is the most woeful Aussie film of the year with plot moments so improbable it is laughable. It is directed by Ana Kokonis whose first film HEAD ON was and still is a classic. Then she went wildly off the rails with her second film, the ridiculous male rape fantasy THE BOOK OF REVELATION. BLESSED is even worse with overlapping stories about homelessness, prostitution, pedophilia, shoplifting, teenage bullying, bashings, suicide, gambling, pregnancy, unemployment and alcoholism. One underage character walks through the entire film with a menstrual stain on her dress while another breaks down in tears while masturbating in a porn film. Then there's the communist (with a library full of Karl Marx books) who hugs a burglar because she feels guilty about her involvement with the stolen generation. Why are these movies being funded by government bodies over and over again when none of them ever get an audience or turn a profit? Australian films are so poisonous they can't even attract an audience for free on TV which is why they usually only ever get a look-in late at night during the summer non-ratings period. Not only is it a waste of our tax dollars, it is causing widespread and long lasting despair with cinemagoers, many of whom vow never to see another Australian film after a bad experience with one all the critics RAVE about. And it's not enough anymore to wax lyrically about "the depth of the performances" or the "brilliant camerwork". Name me an Aussie film that DOESN'T have good acting and photography? We are world class in these areas but our scripts and subject matters are dragging us down. Being kind to local films might be politically correct but ultimately, it's not helping anyone. Poor old CHARLIE & BOOTS is being lauded for being the highest-grossing opening weekend of any Aussie movie this year. Unfortunately it only came in at number 5 on the Top 10. When even an obvious crowd-pleaser with Hoges and Kenny still can't get a lot of bums on seats, something is terribly wrong. As are these from 2009 ...
LAST RIDE about a hideous criminal and a young boy called Chook.
FUNDING BODY CLICHES: Father son relationship, outback, road movie, paedophilia, indigenous subplot
HIGHLIGHT: Hugo Weaving cuts off his own mullet before violently bashing his son.
DID THE CRITICS RAVE? Oh yes. "Dramatically intense", "tough but very, very good", "the latest classy entry in what is turning out to be one of the best years in Australian film". Really?
CLOSED FOR WINTER about a woman tortured by a tragic event from her youth
FUNDING BODY CLICHES: Mother/daughter relationship, flashbacks, missing child, dirty secrets
HIGHLIGHT: Natalie Imbruglia digs a garden to get her depressed mother out of the house
ACTING: Natalie Imbruglia does her best but it's a thankless role that goes nowhere.
DID THE CRTICS RAVE? Oh yes. "Impressive", "compelling". I fell asleep.
BEAUTIFUL KATE about a man tortured by a tragic event from his youth
FUNDING BODY CLICHES: Father/son relationship, outback, flashbacks, dirty secrets, indigenous subplot
HIGHLIGHT: Bryan Brown dies after pissing in a bottle and coughing his guts up
DIRECTING: Rachel Ward is talented but her story is a turn-off.
DID THE CRITCS RAVE? Oh yes. 99% of them LOVED the movie but those who didn't felt the wrath of Ward when she blasted them in The Sydney Morning Herald for "dumping doom and gloom and threatening to squash" her "precious, fragile, beautiful egg". Apparently that egg is "propelling towards decent box office returns" having now pulled in over a million bucks but given it cost approximately $6 million to make, I would not describe that as decent.
For the record, I see these films (many against my better judgement) because I WANT them to be good. I love Australian films when they get it right and the best ones I've seen so far this year are:
SAMSON AND DELILAH - Tough subject matter but it succeeds because it's infused with grace, humour and a happy ending.
MY YEAR WITHOUT SEX - Tough subject matter but it succeeds because it's sweet, funny and has a happy ending.
SUBDIVISION - Warm, believable and one of the only films this year trying to appeal to a wider audience.
Am I being too harsh? Tell me what you think - leave a comment ....
Labels: Blessed, movies, My Year Without Sex, rachel ward, Samson and Delilah, Subdivision