DYING BREED *** ½
It is rumoured that deep within the wilderness of Western Tasmania the ancient Thylacine (more commonly known as the Tasmanian Tiger), thought to have gone extinct in the 1930’s, is alive and breeding.
DYING BREED fuses two fascinating legends of Tasmania, the marsupial tiger and The Pieman, an escaped convict eventually hanged in 1824 for cannibalism, and draws similarities between the survival instincts and bloodlines of the two. Many Tiger sightings have been reported. Hundreds of hikers have gone missing. Could both The Pieman and the Tigers have descendants hiding in the bush?
Crypto-zoologist Nina (
ALL SAINTS Mirrah Foulkes) sets out to finish the work of her sister (who disappeared before turning up dead a year later) by proving the Tiger survives in the harsh scrub. She takes along her partner Matt (
SAW’s Leigh Whannel), his mate Jack (
SNAKES ON A PLANE'sNathan Phillips) and Jack’s girlfriend Bec (
PACKED TO THE RAFTERS' Melanie Vallejo). Naturally they stumble on The Pieman’s descendants who uphold the traditions of their cannibalistic ancestor, but occasionally need fresh “breeding stock” too.
Nathan Phillips hums the strains of the
DELIVERANCE banjo theme, a reflection that this film borrows heavily from
DELIVERANCE,
THE HILLS HAVE EYES,
WRONG TURN,
THE TEXAS CHAINSAW MASSACRE and maybe even
WOLF CREEK.
DYING BREED doesn’t really deliver anything we haven’t seen before, but is a solid, eerie film due in part to the intriguing real-life myths surrounding The Pieman and the Tiger. Despite its lack of promotion in this country it garnered attention in various Horror Film Festivals globally becoming somewhat of a un-earthed gem.
The movies kicks right in with creepy Thylacine footage pulled from the archives and moves quickly into a gruesome opener. Tasmania (played here by the Dandenong Ranges) is beautifully sinister – with shades of mid-west hillbilly towns depicted in films like
CHILDREN OF THE CORN and
HALLOWEEN 4. The cinematography is professional and the editing quick and tidy – but perhaps a little too so. The wide shots make good use of the ominous isolation but I would have liked to see a little more grit injected. The score’s wind instruments evoke
PICNIC AT HANGING ROCK.
Mirrah Foulkes displays a likeable vulnerability separating her from the detestable Jo in
ALL SAINTS (who I like to blame for the show's cancellation). There are some genuine frights here but unfortunately some effectively creepy moments are ruined by Nathan Phillips annoying, macho jerk prattling (why does he always play the same character?). Nathan redeems himself however by baring his sexy bum in several scenes.
The current trend of torture and sexualised violence is present here but used sparingly enough to only be mildly unsettling. There is a nice sequence involving bear traps too and the ending is truly chilling.
Intermingling Australia’s dark heritage with the sinister looking Tassie Tigers works to advantage here, giving
DYING BREED the edge it needs to rise above being a generic gore-fest. It genuinely is better than that. It's nice to see Australian horror making a comeback.
Labels: All Saints, DVD, Dying Breed, Mirrah Foulkes, Nathan Phillips, Packed to the Rafters, review